Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
462 Episodes
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Episode 317: Daniel Ullom (Old Time Mandolin, Guitar Dads, and Ella Haley)
Published: 21/09/2022 -
Episode 316: Josie Toney (Contra Dance Band Names, Paying Kids for Music, and Whether or Not Fiddling Is Cool)
Published: 14/09/2022 -
Episode 315: Joe Overton (Punk to Old Time Pipeline and Southern Identity)
Published: 7/09/2022 -
Episode 314: Hemlock & Hickory (Dakota Karper and Brendan Hearn)
Published: 1/09/2022 -
Episode 313: Janie Rothfield (Clifftop '22)
Published: 24/08/2022 -
Episode 312: Jerron Paxton (Parable Telling, Palatable Truth, and Raggin' It)
Published: 17/08/2022 -
Episode 311: Cary Lung (Old Time Mandolin, Counterpoint, and Kenny Hall)
Published: 10/08/2022 -
Episode 310: Nic Gareiss (Upbuilding, Pleasure, and Harm Reduction)
Published: 3/08/2022 -
Episode 309: Madeline Levy (feat. Bertram Levy)
Published: 27/07/2022 -
Episode 308: Sophie Wellington (Live at Earful of Fiddle '22)
Published: 20/07/2022 -
Episode 307: Rollie Tussing (Pop Tunes From the 20's and 30's)
Published: 13/07/2022 -
Episode 306: Rachel Reeds (Cape Breton Fiddling)
Published: 6/07/2022 -
Episode 305: Lindsay McCaw (Jolly Tunes)
Published: 29/06/2022 -
Episode 304: Betsy Brown (Fiddle Mentors)
Published: 22/06/2022 -
Episode 303: Alex MacLeod (Melodically Crooked Tunes, Instrument Building, and Square Dance Calling)
Published: 15/06/2022 -
Episode 302: Alan Garren (Grit Rhythm)
Published: 8/06/2022 -
Episode 301: Scott Killops (Old Time Facilitator)
Published: 1/06/2022 -
Episode 300: Bruce Molsky (Conversation without the Encumbrance of Words)
Published: 25/05/2022 -
Episode 299: Kelsey Nelsen (Square Dance Calling, Crankies, and Ballads)
Published: 18/05/2022 -
Episode 298: Morgan Harris (Facebook Live AMA)
Published: 11/05/2022
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
