Get Up in the Cool
A podcast by Cameron DeWhitt - Wednesdays
462 Episodes
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Episode 102: Kristina Gaddy and Pete Ross (History of the Banjo)
Published: 8/08/2018 -
Episode 101: Brad Kolodner (Old Time in the Community)
Published: 1/08/2018 -
Episode 100: Cameron DeWhitt (Episode 100! Ft. Scotty Leach and Brian Slattery)
Published: 25/07/2018 -
Episode 99: Corey Husic (Gorillas, Birding, and Clyde Davenport Tunes)
Published: 18/07/2018 -
Episode 98: Leigh Rudner (Cello in Old Time Music)
Published: 11/07/2018 -
Episode 97: Charlie Walden (Possum's Big Fiddle Show)
Published: 4/07/2018 -
Episode 96: Ellen and Pete Vigour (Uncle Henry's Favorites)
Published: 27/06/2018 -
Episode 95: Ida Mae Specker (Live at Black Creek Fiddlers' Reunion)
Published: 21/06/2018 -
Episode 94: Jason Cade (Half a Hog-Eyed Man)
Published: 13/06/2018 -
Episode 93: Dara Weiss (Old Time Songs)
Published: 6/06/2018 -
Episode 92: Joe Troop (Is Friends with a Smelly Old Bear)
Published: 30/05/2018 -
Episode 91: Riley Calcagno (Wants to Hang Out Backstage)
Published: 23/05/2018 -
Episode 90: Max Evans (Old Time in Canada, Formational Tunes, and Trendy Vegetables)
Published: 16/05/2018 -
Episode 89: Molly Tenenbaum (Mystery, Joy, and Old Time Banjo)
Published: 9/05/2018 -
Episode 88: Armin Barnett (Old Time Sources)
Published: 2/05/2018 -
Episode 87: Emily Keene (The Golden Age of Traditional Music in Seattle/Old Time Harmonica)
Published: 25/04/2018 -
Episode 86: Jenny Monfore (Will Homestead for Tunes)
Published: 18/04/2018 -
Episode 85: Squirrel Butter (Charmaine Slaven & Charlie Beck)
Published: 11/04/2018 -
Episode 84: Mark Tamsula and Richard Withers (Old Time Music of Southwestern Pennsylvania)
Published: 4/04/2018 -
Episode 83: Lyle de Vitry (Old Time Obsession/Excavating Tombs)
Published: 28/03/2018
Get Up in the Cool features conversations and musical collaborations with some of Old Time music's heaviest hitters, like Ken Perlman, Adam Hurt, Spencer & Rains, and Jake Blount. As an interviewer, Cameron balances an effusive curiosity for the potential of traditional music with a dogged respect for its origins. Serving as audience surrogate, Cameron asks illuminating questions to Old Time's best and brightest while telling the larger story of the tradition's modern era.
