Byzantium & Friends
A podcast by Byzantium & Friends - Thursdays
Categories:
124 Episodes
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84. On writing narrative history, with guest-host Marion Kruse
Published: 29/12/2022 -
83. Blinding as punishment and enforced disability, with Jake Ransohoff
Published: 15/12/2022 -
82. What was First Iconoclasm about?, with Leslie Brubaker
Published: 1/12/2022 -
81. Surviving the Mongol storm, with Nicholas Morton
Published: 17/11/2022 -
80. Diagrams: from sundials to the schematics of the Trinity, with Linda Safran
Published: 3/11/2022 -
79. The enduring power of ancient statues in Constantinople, with Paroma Chatterjee
Published: 21/10/2022 -
78. How to be philanthropic in early Byzantine Christianity, with Dan Caner
Published: 18/08/2022 -
77. How did most people in the Roman empire get by? with Kim Bowes
Published: 4/08/2022 -
76. Exploring the monuments of Byzantine Constantinople, with Sergey Ivanov
Published: 21/07/2022 -
75. The politics of archaeological heritage and reclamation, with Jonathan Hall
Published: 7/07/2022 -
74. Laments for the Fall: Constantinople and Tenochtitlan in counterpoint, with Eleni Kefala
Published: 23/06/2022 -
73. When did women “bind up” their hair, and why?, with Gabriel Radle
Published: 9/06/2022 -
72. What do we mean by “Byzantine literature”?, with Stratis Papaioannou
Published: 26/05/2022 -
71. Manuel II Palaiologos (1350-1425) had a lot to say, with Siren Çelik
Published: 12/05/2022 -
70. Trees have histories too, with Alexander Olson
Published: 28/04/2022 -
69. The experiences of Byzantine children, with Oana-Maria Cojocaru
Published: 14/04/2022 -
68. Classical scholarship and philology in Byzantium, with Filippomaria Pontani
Published: 31/03/2022 -
67. Wherein Tina and I take bad scholarly habits to task, with Tina Sessa
Published: 17/03/2022 -
66. The perils of childbirth, with Christian Laes
Published: 3/03/2022 -
65. Who was Hypatia of Alexandria and what does she stand for? with Silvia Ronchey
Published: 17/02/2022
Conversations with experts in the history of Byzantium, hosted by Anthony Kaldellis.