Liat Berdugo: The Weaponized Camera

“So it becomes this dance of cameras where the whole goal of the Palestinian camera is to document a human rights violation, to take back some kind of power. And the goal of the Israeli camera is to block that power from being taken through vision.” — Liat Berdugo B’Tselem, an Israeli human rights organization, has been running its Camera Distribution Project since the early 2000s. The project distributes video camcorders to Palestinians, training them in documentation, and building an archive of citizen-recorded video. These videos cover a wide-range of topics, including settler violence, IDF night searches and demolitions.  How do visuals disrupt historical narratives of conflicts? What does it mean for someone to later on witness preserved traces of events? And in the context of Israel-Palestine, what impact does a camera actually have in the face of entrenched power dynamics?  Producer Emily Bell interviews Liat Berdugo, author of the recently released book, The Weaponized Camera in the Middle East: Videography, Aesthetics, and Politics in Israel and Palestine.