Finding Your Voice

In today's Books with Hooks, Bianca, Carly, and CeCe discuss an example of an excellent hook and query letter in general; the issues with beginning your novel with a cliched scene; the importance of emotional layers in interiority, especially with big, messy emotions; framing your query letter in a way that gives your protagonist more agency and 'protagonism', or that shows how a character's lack of agency pushes the plot forward; the problem with using self-published books as your comp titles; the difference between third person close POV and omniscient third person; and the difficulties with using an omniscient third person POV.After which, Bianca chats with Estelle Erasmus about her book, Writing That Gets Noticed. They also discuss Estelle’s credentials and experience; writing essays and op-eds; finding your voice; writing your essays for yourself; literary fiction vs purple prose; finding your rhythm and syntax; asking yourself “so what?”; personal universal elements; and revealing vs concealing. Find us on our socials:Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyraInstagram: https://www.instagram.com/the_shit_about_writing/ https://www.instagram.com/biancamarais_author/https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/Facebook:  https://www.facebook.com/TSNOTYAWWebsites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.comBookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwritingMore information about Estelle can be found at https://estelleserasmus.com/. She’s on Twitter @EstelleSErasmus, Instagram @EstelleSErasmus, TikTok @EstelleSErasmus, and Facebook @Estelle.Sobel.Erasmus.Advertising Inquiries: https://redcircle.com/brands