Lene Brix - Circular economic perspectives: Data-driven Social change

Hearing Architecture - A podcast by The Australian Institute of Architects

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The Hearing Architecture podcast, proudly sponsored by Brickworks, presents Again and Again and Again, a mini-series hosted by Hilary Duff. Each week, we will bring you interviews and conversations as we seek better ways to understand, harness and deploy the expertise and knowledge of professionals currently within the design community, at home and abroad. Our guests are all experts on circularity within the building industry and share the aim to display that waste is not an accident but the consequence of decisions made at the design stage. Here is our opportunity. We, as designers, have an opportunity to do better. The larger and more complex the world becomes, the better architecture is needed. Architecture can no longer be satisfied with uniting form and function. It must address and embrace a much larger number of considerations from aesthetics, to function, to climate, health and energy. At the same time, the project's finances, law and time must be respected. In this episode we speak with Lene Damsbo Brix of Matter by Brix, and founder and partner of Circle Bank. A talented and driven Copenhagen – based force; Lene is grappling with these conundrums.  Lene is an architect by training with over 25 years of experience in the architectural and construction sector, including working at a number of well-known practices which now are celebrated for their design agenda revolving around circularity. But after years at the desk, Lene has stepped away from the tools to focus on systems and process’s that can begin to help with the industry’s transition toward circularity.  Today Lene and I discuss the Circle Bank project and it’s important goals in creating a digital platform that integrates new knowledge through the process of scanning, demolition, material handling and architectural design. We dive into the detail of the tool and platform explore the grand ambition of the organisation: that By 2030, circular construction has outcompeted linear construction. This has been Again&Again&Again, a mini-series of Hearing Architecture, proudly sponsored by Brickworks, and made possible with the support of the Alastair Swayn Foundation. This episode was recorded during a period of residency with the Danish Arts Association in Copenhagen. Thank you so much for listening and thank you to our international guest Lene Brix for your discussion and leadership in moulding our architectural technologies and systems towards a circular future. We join you in dreaming that it is only a matter of time before the circular economy becomes competitive with the standard linear model of construction. Let’s watch this space and we look forward to speaking with you again in the future. Our sponsor Brickworks also produces architecture podcasts hosted by Tim Ross. You can find ‘The Art of Living’, ‘Architects Abroad, and ‘The Power of Two’, at brickworks.com.au or your favourite podcast platform. If you’d like to show your support please rate, review, and subscribe to Hearing Architecture in your favourite podcast app. If you want to know more about what the Australian Institute of Architects is doing to support architects and the community please visit architecture.com.au This is a production by the   Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. The miniseries Again&Again&Again is proudly supported by the Alstair Swayne Foundation. The Institute production team was Madelynn Jenkins, and Claudia McCarthy, and the EmAGN production team was Daniel Moore. This content is brought to you by the Australian Institute of Architects Emerging Architects and Graduates Network, in collaboration with Open Creative Studio. This content does not take into account specific circumstances and should not be relied on in that way. This content does not constitute legal, financial, insurance, or other types of advice. You should seek independent verification or advice before relying on this content in circumstances where loss or damage may result. The Institute endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or will become inaccurate over time. Supported by: State workshops We respectfully acknowledge the Traditional Owners of country throughout Australia where this podcast was produced, as the first storytellers, the first communities and the first creators of Australian culture. I extend that respect to the Traditional Custodians of country throughout the multiple places abroad where this podcast was recorded.  We thank Traditional Custodians for caring for Country for thousands of generations.  and recognise their profound connection to land, water, and skies.

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