C.P.E. Bach's 'Magnificat'

SynopsisWe’re cranking up the Datebook time machine today to take you back to a charity concert that took place in Hamburg on today’s date in 1786. The concert was organized and conducted by 72-year-old composer Carl Philipp Emanuel Bach, who had been producing new sacred music in Hamburg for many years.But instead of new works, for the charity concert C.P.E. Bach programmed some music that in 1786 was almost 40 years old: he opened with the Credo from his father J.S. Bach’s Mass in B minor, followed by two excerpts from Handel's Messiah, namely the Hallelujah Chorus and I Know that My Redeemer Liveth, both sung in German, and then his own setting of the Latin Magnificat, a work he had composed back in 1749 when his father was still alive.C.P.E. Bach’s Magnificat is not heard as often as J.S. Bach’s more famous setting, which is a shame, since, like his father’s Magnificat, C.P.E.’s is a festive, exciting piece of sacred music with trumpets and drums and tuneful vocal solos, along with great choral writing — and we suspect papa J.S. Bach would have nodded with approval that his son’s version concluded with a well-constructed choral fugue.Music Played in Today's ProgramC.P.E. Bach (1714-1788): Sicut Erat In Principio, from Magnificat; RIAS Kammerchor & Akademie für Alte Musik Berlin, Hans-Christoph Rademann; Harmonia Mundi 902167